Lockwood tells Heathcliff that he saw “that minx, Catherine Linton, or Earnshaw, or however she was called — she must have been a changeling — wicked little soul,” which causes Heathcliff to burst into rage, then cry alone: “Come in! When Nellie tells Lockwood that she met a boy on a “dark evening, threatening thunder” who was afraid of the ghost of Heathcliff, she dismisses his fears, saying that he “probably raised the phantoms from thinking, as he traversed the moors alone, on the nonsense he had heard his parents and companions repeat” (430).
Heathcliff’s belief that she is still out walking the moors, and Lockwood’s experience with her outside his window, develop Catherine and Heathcliff’s highly spiritual relationship.
Without the existence of the ghost story in is that as a realist narrator, he has the duty to recount the entire story, without leaving any detail out.
Although Catherine’s ghost may seem extraordinary, the premise of the story is entirely realistic.
Kettle argues that “Wuthering Heights is about England in 1847,” because the setting, language, interests, and values depicted in the novel are accurate to the time and setting of the novel (161).
Lockwood and Nellie struggle to tell a story that calls into question the reliability of their own vision, yet must correlate the two perspectives in order to adhere to the standards of realism.
Smajic writes that ghost story authors attempt to answer the unsettling question of when “to draw the line between objective and subjective perception in general, between optical fact and optical illusion” (Smajic 1109).
Since the moor is such a supernatural setting, it is realistic to include supernatural events in any realist story set in the moor.
The story of could not take place without the ghost story, not only because ghosts belong to the setting and society, but because ghosts and the supernatural are a large part of Catherine and Heathcliff’s relationship.
The followed exchange describes how Catherine is coming from the moor and wants to return home: “‘Let me in — let me in! The vision of a ghost causes Catherine to want to leave the Grange, which is sheltered from the moor, and head towards Wuthering Heights, which is surrounded by the moor.
Thus, Catherine associates the supernatural to the moor.