He expresses his thoughts about the dull, uneventful, mediocre life he leads as a result of his feelings of inadequacy and his fear of making decisions.
Unable to seize opportunities or take risks (especially with women), he lives in a world that is the same today as it was yesterday and will be the same tomorrow as it is today.
Therefore, a dramatic monologue is a type of character study.
The poem centers on a balding, insecure middle-aged man.
time to put on the right face and demeanor to meet people.
There will be time to kill and time to act; in fact, there will be time to do many things.Eliot took the last name of the title character from a sign advertising the William Prufrock furniture company, a business in Eliot's hometown, St. Only the narrator, talkshence the term monologue, meaning "single (mono) discourse (logue)." During his discourse, the speaker intentionally and unintentionally reveals information about himself.The main focus of a dramatic monologue is this personal information, not the speaker's topic.In the novel, one of the characters, Benjamin, asks a series of questions ending with the "overwhelming question." Following is the passage: Didee ever see a British ship, Master Kirby? Where didee ever fall in with a regular built vessel, with starn-post and cutwater, gar board-streak and plank-shear, gangways, and hatchways, and waterways, quarter-deck, and forecastle, ay, and flush-deck?tell me that, man, if you can; where away didee ever fall in with a full-rigged, regular-built, necked vessel? Alfred Prufrock" before publishing the poem in Poetry magazine in 1915. Stearns Eliot (1888-1965) originally entitled this poem "Prufrock Among the Women." He changed the title to "The Love Song of J.The words are spoken by Count Guido da Montefeltro, a damned soul in the Eighth Circle of Hell in Dante's Divine Comedy (Inferno, Canto 27, lines 61-66.) : Eliot opens "The Love Song" with this quotation from Dante's epic poem to suggest that Prufrock, like Count Guido, is in hell.But Prufrock is in a hell on eartha hell in the form of a modern, impersonal city with smoky skies.The speaker resembles the cat as he looks into windows or into "the room," trying to decide whether to enter and become part of the activity.Eventually, he curls up in the safety and security of his own soft armsalone, separate.