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Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. He manages to touch on many characters, settings, and themes in his work and the component parts all serve to ...Apuleius' comedic romp is a gentle, breezy tale told through in the 3rd person P. Lucius Apuleius (2nd Century AD) was a North African fubulist who Latinized the Greek myths and legends.
There were the one-off body-horror pieces, such as “My Gynecologist Found a Ball of Cat Hair in My Vagina,” published by xo Jane, or a notorious lost-tampon chronicle published by Jezebel.
There were essays that incited outrage for the life styles they described, like the one about pretending to live in the Victorian era, or Cat Marnell’s oeuvre.
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When I began writing on the Internet, I wrote personal essays for free.
For some writers, these essays led to better-paying work.There were those that incited outrage by giving voice to horrible, uncharitable thoughts, like “My Former Friend’s Death Was a Blessing” (xo Jane again) and “I’m Not Going to Pretend I’m Poor to Be Accepted by You” (Thought Catalog).Finally, there were those essays that directed outrage at society by describing incidents of sexism, abuse, or rape.personal: the topics seemed insignificant, or else too important to be aired for an audience of strangers.The essays that drew the most attention tended to fall within certain categories.For the first two years that I edited personal essays, I received at least a hundred first-person pitches and pieces each week.But an ad-based publishing model built around maximizing page views quickly and cheaply creates uncomfortable incentives for writers, editors, and readers alike.These essays began to proliferate several years ago—precisely when is hard to say, but we can, I think, date the beginning of the boom to 2008, the year that Emily Gould wrote a first-person cover story, called “Exposed,” for the , which was about, as the tagline put it, what she gained and lost from writing about her intimate life on the Web.Blowback followed, and so did an endless supply of imitations.Sarah Hepola, who worked as Salon’s personal-essay editor, described the situation to me in an e-mail.“The boom in personal essays—at Salon, at least, but I suspect other places—was in part a response to an online climate where more content was needed at the exact moment budgets were being slashed.” When I worked as an editor at the Hairpin and Jezebel, from 2013 to 2016, I saw up close how friendly editors and ready audiences could implicitly encourage writers to submit these pieces in droves.