In the essay below, he makes allusion to the scene in which Hamlet ponders mortality while studying the skull that is all that remains of a man he had known in life. Through the obscure depths of history we could make out the phantoms of great ships laden with riches and intellect; we could not count them. Peace is a time of creative rivalry and the battle of production; but I am not tired of producing?
- smv We had long heard tell of whole worlds that had vanished, of empires sunk without a trace, gone down with all their men and all their machines into the unexplorable depths of the centuries, with their gods and their laws, their academies and their sciences pure and applied, their grammars and their dictionaries, their Classics, their Romantics, and their Symbolists, their critics and the critics of their critics. But the disasters that had sent them down were, after all, none of our affair. Have I not exhausted my desire for radical experiment, indulged too much in cunning compounds? Should I not perhaps lay aside my hard duties and transcendent ambitions? By giving the names of progress to its own tendency to a fatal precision, the world is seeking to add to the benefits of life the advantages of death.
At dawn the ridge emerges massed and dun In the wild purple of the glow’ring sun, Smoldering through spouts of drifting smoke that shroud The menacing scarred slope; and, one by one, Tanks creep and topple forward to the wire. Then, clumsily bowed With bombs and guns and shovels and battle-gear, Men jostle and climb to meet the bristling fire.
Lines of gray, muttering faces, masked with fear, They leave their trenches, going over the top, While time ticks blank and busy on their wrists, And hope, with furtive eyes and grappling fists, Flounders in mud.
The first stanza presents a theme or topic, and the second stanza develops the theme or topic.
Sassoon observes Petrarch's stanza format but ignores his rhyme scheme.After several years of fighting, though, most soldiers saw the war as a hellish and pointless nightmare.Intellectuals like Paul Valery were also disillusioned by the war, and many feared that the West and its liberal values would not long survive. We were aware that the visible earth is made of ashes, and that ashes signify something.He was twice wounded and was awarded a medal for rescuing a wounded comrade.Sassoon wrote many poems about the horror of war and the folly of regarding it as a glorious enterprise for young men.The author died in 1967, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 50 years or less.This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.The English poet Siegfried Sassoon (1886-1967) wrote a group of dramatic, intense lyrics in reaction to the horrors of World War I.His six volumes of partly fictionalized memoirs are a detailed record of the sensibilities of his age.Siegfried Sassoon's "Dreamers" is a sonnet, a lyric poem with fourteen lines and a specific rhyme scheme.There are two types of sonnets: Petrarchan and Shakespearean.