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His paintings also evince a fascination for Classical and Renaissance art, clearly visible through his hyper-realistic style and religious symbolism of his later work.
By the age of 24 Dalí had acquired an art education, been inspired by Picasso to practice his own interpretation of Cubism, and was beginning to utilize Surrealist concepts in his paintings.
It was at this point that he joined film director Luis Buñuel to create something truly new - a film that radically veered from narrative tradition with its dream logic, non-sequential scenes, lack of plot and nod to Freudian free association.
Dalí was renowned for his flamboyant personality and role of mischievous provocateur as much as for his undeniable technical virtuosity.
In his early use of organic morphology, his work bears the stamp of fellow Spaniards Pablo Picasso and Joan Miró.
These account for some of the iconic and now ubiquitous images through which Dalí achieved tremendous fame during his lifetime and beyond.
Obsessive themes of eroticism, death, and decay permeate Dalí's work, reflecting his familiarity with and synthesis of the psychoanalytical theories of his time.
Salvador Dalais style of painting was so eccentric that he was expelled from the surrealist movement, but that did not stop him from painting.
Salvador Dalais father was a middle class lawyer and was very strict with him. She was the one who introduced him to art and all of his eccentricities. He would often get angry with his parent’s and cause trouble.
Paradoxically defined by Dalí himself as a form of "irrational knowledge," this method was applied by his contemporaries, mostly Surrealists, to varied media, ranging from cinema to poetry to fashion.
The self-assured Dalí famously retorted, "I myself am Surrealism." After, members of the Surrealists would have a tumultuous relationship with him, sometimes honoring the artist, and other times disassociating themselves from him.