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This essay and its annotations, which indicate processes of rendering, are attempts to allow image its eloquence and words their sense – how they might resonate together within the space and duration of a webpage.
This essay uses simple digital designs and is a sub-domain of Arts Archives.
It draws upon material in that website and elsewhere that I have gathered since 1974.
Many of my colleagues employ written discourse to offer the intelligence of their insights and their arguments.
And I am aware of the amount of writing and thinking, of analysis and naming, currently being undertaken concerning performance in an expanded field; in my opinion, greatly extending our understanding of what performance might be, though the challenge as to what constitutes the discipline of performance, for me, remains.
Several problems also characterize concept learning; for instance, lack of knowledge theories that may assist in inferring knowledge impacts.
Additionally, it is tricky to have an extensive conceptualization of the factors that led to the attainment of knowledge.
I have also found it useful when documenting individual work that does not involve other ‘participants’.
It is an operation occurring at the cutting edge of a person, of peoples, and the world they inhere and, in my view, belongs to a question of survival.
MY MOTHER, MY MIRRORA performance essay by Camilla Graff Junior Monday April 8, 8pm Duration: 1 hour Fäcebook Event What do I expect from a mother? She graduated in performance studies in 2007 and holds a double Master’s degree from Université la Sorbonne Nouvelle in Paris and from the University of Copenhagen.
Over the past twenty years she has conceived a number of solo and collaborative performances that have been performed in Europe, Africa, South America and the United States.