Mean Streets Critical Essay

Mean Streets Critical Essay-76
The only other extra is a seven-minute, behind-the-scenes featurette, “Back on the Block,” which contains no earth-shattering revelations, but is a genuine vintage curiosity, having been made during the film’s original promotional period.Sometimes a classic film gets a grand reception on home video, and sometimes it has to sneak out by the fire escape; Warner’s meager platter for is a bit more like the latter, but it gets a pass for a decent HD transfer.

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After weighing just 109 1bs and snorting coke, director Scorsese had begun coughing up blood and was confined to a hospital bed. Conclusion From the domestic scenes taking their prompt from neo-realism and the boxing scenes from the ring, from noir/expressionism.

Shot mostly in expressionistic monochrome Raging bull boasts the most primitive fights ever put on film.

Raging Bull combines the explosive masculine energy of Mean Streets and uses the themes of emotional inarticulacy and estrangement that we see in Taxi Driver.

His referencing styles however, do vary from director's approaches from films like, Good fellows, Snake eyes and Casino.

First, the two films dedicate long passages to Hawksian, just-hanging-out business, as much inspired by Scorsese’s Little Italy remembrances as the profound tonal influence of John Cassavetes’s seminal 1959 film, , Scorsese has both delighted in, and recognized the occasionally brutal ferocity of, what happens when some dumb, headstrong guys get a few drinks in them, and one of them decides that somebody made a crack about somebody’s mother, or something.

The second connective thread is, of course, the Catholic guilt/Madonna-whore business, enmeshed in the mildly melancholic self-loathing of a poor sap who can’t respect a girl who’d stoop so low as to sleep with him.

They both deal with men who desperately want to be great, but ultimately destroy themselves and those around them.

By the end, La Motta declares that he "Could have been a contender....", quoting Marlon Brando's famous line from On the Waterfront.

The audience can feel the restricted rage in Jake as he struggles to come to terms with himself.

"Raging Bull" is one of those films that is very close to "Citizen Kane".

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