Mc Escher Research Paper

Mc Escher Research Paper-70
Escher used logic of space, by the "logic" of space I mean those spatial relations among physical objects which are necessary, and which when violated result in visual paradoxes, sometimes called optical illusions.

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In the mirror “he can have a much more complete view of his surroundings than by direct observation, for nearly the whole of the area around him – four walls, the floor and ceiling of his room – are compressed albeit distorted, within this little disc.” (Taschen).

Maurits Cornelis Escher was born on June 17, 1898 in the city of Leeuwarden in the Friesland region of the Netherlands. When Escher was the age of 5 Escher’s family would move to the town of Arnhem.

Maurits Cornelis Escher, who was born in Leeuwarden, Holland in 1898, created unique and fascinating works of art that explore and exhibit a wide range of mathematical ideas.

While he was still in school his family planned for him to follow his father's career of architecture, but poor grades and an aptitude for drawing and design eventually led him to a career in the graphic arts.

Escher was “encouraged by his family at a young age to pursue an education in Architectural Arts.”(Masterworks).

After failing to complete high school, Escher followed his family’s wishes, by being “…

Maurits Cornelius Escher (1898 – 1972) is an influential artist in the field of communication design and one whom I have found to be inspiration through his many works, designs and creations. He got much inspiration from countries he lived and traveled through such as Spain and Italy. (Taschen) One can view the piece going from either direction.

Escher is a Dutch artist who was passionate about drawing and who created all his works without the use of technology such as computer. Escher’s success has contributed to the field of communication design in that he was able to create techniques and transformations in viewing objects and scenes that were innovative and inspirational. This is a very large piece woodcut printed from twenty-nine blocks.

“It suggested new directions in the use of color and the flattened patterning of interlocking forms.” (National Gallery).

One can see how the techniques influenced much of the patters shown In the 1950’s and 1960’s, Escher’s fame few through Europe and American.


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