A classic format for compositions is the five-paragraph essay.
The last sentence in this paragraph should include a transitional hook to tie into the third paragraph of the body.
The third paragraph of the body should contain the weakest argument, weakest example, weakest illustration, or an obvious follow up to the second paragraph in the body.
The last sentence of the paragraph uses the words "manipulation" and "senses" as transitional hooks.
In "The Tell-Tale Heart," Poe uses the following image to describe a static scene: "His room was as black as pitch with the thick darkness . ." Poe used the words "black," "pitch," and "thick darkness" not only to show the reader the condition of the old man's room, but also to make the reader feel the darkness." In the first sentence of the second paragraph (first paragraph of the body) the words "sense" and "manipulation" are used to hook into the end of the introductory paragraph.
This topic should relate to the thesis statement in the introductory paragraph.
The last sentence in this paragraph should include a transitional hook to tie into the second paragraph of the body.
Note that in the second paragraph "feeling" came first, and in this paragraph "sight" comes first.
The first sentence also includes the topic for this paragraph--imagery in a dynamic scene.
The first sentence of this paragraph should include the reverse hook which ties in with the transitional hook at the end of the second paragraph.
The last sentence in this paragraph should include a transitional concluding hook that signals the reader that this is the final major point being made in this paper.