But from a pure camera work and blocking perspective, The Master Course is considerably beyond what is taught in film school.
But from a pure camera work and blocking perspective, The Master Course is considerably beyond what is taught in film school.We've heard from countless users that they learned in The Master Course what they thought they would have learned in film school./ Some sections of the course deal with the psychology of body language, which is an integral part of blocking, and determines how actors need to move or stand.But moreover, I was frustrated on the set, because I couldn't concentrate on the actors and blocking at the same time (this is a complaint of directors that I get from many actors).Tags: Ieee Research Paper Search Engine OptimizationFor Writing A Reflection PaperCopy Paper TerminologyGreen Paper Long Term InvestmentLiterature Review Of ObesityBlindness In Oedipus Rex Essay
The Hollywood Camera Work DVD series is a master course designed for Directors, Videographers, Cinematographers, and even 3D animators who want to improve their camera blocking and staging skills or those crossing over from one industry to another (video to 3D, etc.).
With over nine hours of instruction complete with detailed examples and downloadable back up material, this is a stand alone course that exceeds many college and university film course.
In an e-mail discussion, Per expands on how the DVD course came about.
“I had learned from my previous career that it was creatively limiting to not have an exceptional skill set (I was a very good producer and songwriter towards the end, but a so-so musician), so I decided to train myself all over again as a director.
The filmmaking videos that we know of are for the most part video-taped seminars, and are very introductory.
Such videos provide a general introduction to filmmaking, and can be good for someone very new to the business.Doing camera work in 3D is a novel approach that enables us to discuss advanced techniques quickly and easily.Storyboards also preclude the use of a lot of techniques simply because they can't be drawn, which is never a problem in 3D.My main point was that I wanted directing to be a language I could speak eloquently, and convinced that there is such a language, I spent the better part of the next 5 years mapping it out.This involved first of all shooting 6-7 short films to train, reverse engineering hundreds of movies etc.The decision-making process for excellent camera work is exactly the same whether you're framing a Panavision camera, or a 3D camera in software.Per Holmes used to be a music producer with platinum-selling acts, Grammys and a World Music Award to his name.The Master Course is not a general course in film production, but a master class in the single -- and crucial -- discipline of camera work.Film school provides a general education in a production environment, and the course does not aim or claim to do that.One of the major goals of the course is for great blocking to become so automatic that we don't have to sacrifice one over the other.Yes, blocking literally has nothing to do with which medium you're working in.