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As there is a growing number of individuals challenged by mental illnesses both locally and internationally, students will have high chance of encountering an individual with mental illnesses in their social circles, workplaces or even family in the future.
Specifically, most of the lecture sessions would be conducted in collaborative workshop formats, whereby students need to work in teams to complete hands-on tasks corresponding to the topics covered in the course. The course invites students to investigate the problem of "humanity"—i.e., what it means to be human—at two levels: human as an individual and human as a social being.
Students will be engaged in a direct dialogue with literary writers, philosophers and social reformers who address three fundamental questions: What makes a "good" life for me? How do I make possible such a "good" life and "good" society?
Emphasis will be placed on students’ capacity to respond critically to these texts in written as well as oral presentations.
Through these learning activities, students are expected to develop a lifelong capacity and enthusiasm to continue such dialogues with science texts in the future. Learn the basic models of leadership with reference to the service sector; 2.
Flows of capital, film personnel, technologies, ideas and creativity are vibrantly circulating inside and outside the cultural industry of filmmaking, resulting in phenomena such as transnational co-productions and cross-cultural cooperations.
These dynamic processes are inflected in characterization, plot development, and space-time configurations on Hong Kong screens.
Mental illness is often considered as an adversary that should be dealt with by medical professionals.
Challenging this monopolized medical discourse on mental illness, this course aims to expand the students’ view to appreciate how mental illness has been psychologically influenced, socially constructed and policed, as well as culturally shaped.
In an age where cross-cultural interactions and global traffics are frequent, Hong Kong cinema cannot be regarded merely as a local cinema.
It is an interesting site where complex global processes can be traced.