Marcel Proust, in an essay published in 1922, stated that along with Alfred de Vigny, Baudelaire was 'the greatest poet of the nineteenth century'. In the English-speaking world, Edmund Wilson credited Baudelaire as providing an initial impetus for the Symbolist movement, by virtue of his translations of Poe. In 1930, T. Eliot, while asserting that Baudelaire had not yet received a "just appreciation" even in France, claimed that the poet had "great genius" and asserted that his "technical mastery which can hardly be overpraised ...has made his verse an inexhaustible study for later poets, not only in his own language". In a lecture delivered in French on "Edgar Allan Poe and France" (Edgar Poe et la France) in Aix-en-Provence in April 1948, Eliot stated that "I am an English poet of American origin who learnt his art under the aegis of Baudelaire and the Baudelairian lineage of poets." Eliot also alluded to Baudelaire's poetry directly in his own poetry.Baudelaire's influence on the direction of modern French (and English) language literature was considerable.Tags: Nyu Part Time Mba Essay TipsHaving Trouble Writing An EssayScholastic Creative Writing ContestWriting A Report PaperWhat Is Literature Review PdfEssay Process Write
Poe had, to an exceptional degree, the feeling for the incantatory element in poetry, of that which may, in the most nearly literal sense, be called ‘the magic of verse’.
Some one said: “The dead writers are remote from us because we know so much more than they did.” Precisely, and they are that which we know. In Selected Essays, he compiled his most significant works of criticism and theory written between 19. He moved to England in 1914 and published his first book of poems in 1915.
Included here are what Eliot considered the best essays from The Sacred Wood; his essays on Elizabethan and Jacobean dramatists; Tradition and the Individual Talent; Dante; For Lancelot Andrewes; Homage to John Dryden; and many others. Eliot received the Nobel Prize in Literature in 1948.
Communication took place, he saw, only when these unite in some mysterious, magical, way.
As he repeatedly cited Blake (although usually negatively): “They became what they beheld”.