Tags: Brian Moore Essay HoaxTo The Lighthouse EssaysCritical Thinking 9th EditionResearch Papers In Electronics And TelecommunicationThesis On Foreign Direct Investment In GhanaUniversity Essay Marking GuideIt Business Plan TemplateHomework Help CalculusWrite Abstract English Research PaperShould Teachers Assign Homework
Dedicated to the virtuoso Hugo Heermann, it is cast in five movements, alternating fast and slow.Throughout the violin writing is brilliantly showy and the orchestra, unusually for Raff, has a more clearly subordinate role. An extensive essay on this work is available in the Analysis section.He also transcribed the eighth movement for violin, string quintet & two horns.
This piece, which dates from 1873 when the composer was at the height of his fame, is one of his freshest compositions despite his extensive use of counterpoint in each of its movements.
Raff's Piano Concerto was hugely popular at the end of the 19th.
Violin Concerto No.2 in A minor op.206 The second Violin Concerto was written composed 1877 in Wiesbaden during a difficult time for Raff.
He appears to have been in the throws of an artistic crisis caused by the relative failure of some of his works and no doubt intensified by his recent appointment as director of the Hoch Conservatory.
century and the reasons were summed up by the American pianist William Sherwood: "the joyousness and heroic beauty of expression in the finale, no less than the martial themes and popular catchy rhythms are but a fitting climax to a work which is developed so seriously and grandly in the first movement, and with such delicacy and dreamlike ideality in the second".
The second movement, Andante (quasi larghetto), is a tender and intensely lyrical interlude framed by the sweepingly dramatic opening Allegro and the exciting Finale Allegro abounding in march rhythms.
Matters were exacerbated when Sarasate, who had pressed Raff to write the concerto for him, wriggled out of premiering it.
It was first heard in November 1877, but continued Raff's string of poorly received pieces and remained under the shadow of the first concerto.
The excerpt is the highly atmospheric opening of the concerto which introduces the theme from which the first movement is constructed.
This work is discussed in much more detail in the Detailed descriptions section, with audio extracts from all three movements.