Drama Dissertation Topics

Drama Dissertation Topics-9
The question that this dissertation explores is what cultural narratives about reproduction and reproductive control emerge in the wake of this demographic shift.

The question that this dissertation explores is what cultural narratives about reproduction and reproductive control emerge in the wake of this demographic shift.

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The emergence and image of the postwar, sexually autonomous teen girl finally began to see expression in mainstream melodramas of the late 50s, and teen girl stars such as Sandra Dee and Natalie Wood created new, “post-delinquent” star images wherein “good girls” could still be sexually experienced.

This new image was a significant departure from the widespread belief that the sexually active teen girl was a fundamentally delinquent threat to the nuclear family, and offered a liberal counterpoint to more conservative teen girl prototypes like Hayley Mills, which continued to have cultural currency.”“This dissertation joins a vibrant conversation in the social sciences about the challenging nature of care labor as well as feminist discussions about the role of the daughter in Victorian culture.

This dissertation, then, constructs a cultural narrative of the process of controlling birth.

Moving away from a focus on “negative birth control”—contraception, abortion, sterilization—the term “controlling birth” also applies to engineering or encouraging wanted or desired reproduction.

Drawing from the history of adolescence and the context of midcentury female juvenile delinquency, I argue that studios and teen girl stars struggled for decades with publicity, censorship, and social expectations regarding the sexual license of teenage girls.

Until the late 1950s, exploitation films and B movies exploited teen sex and pregnancy while mainstream Hollywood ignored those issues, struggling to promote teen girl stars by tightly controlling their private lives but depriving fan magazines of the gossip and scandals that normally fueled the machinery of stardom.She gains no authority or stability no matter how loving or even how necessary she is to a family because there simply is no position in the parental family structure for her.The managing daughter thus reveals a deep crack in the structure of the traditional Victorian family by showing that it often cannot accommodate, protect, or validate a loving non-traditional family member because it values traditional hierarchies over emotion or effort.For example, when you search for a film, we use your search information and location to show the most relevant cinemas near you.We also use this information to show you ads for similar films you may like in the future.I argue that the space of the specter is a force of representation, an invisible site in which the uncertainties of antebellum economic and social change become visible.I read this spectral space in canonical works by Nathaniel Hawthorne, Edgar Allan Poe, Herman Melville, and Walt Whitman and in emerging texts by Robert Montgomery Bird, Theophilus Fisk, Fitz James O’Brien, and Edward Williams Clay.Like Oath, our partners may also show you ads that they think match your interests.Learn more about how Oath collects and uses data and how our partners collect and use data.While the chapters of this work often focus on traditional sites of birth control—contraceptives, abortion, and eugenics—they are not limited to those forms, uncovering previously hidden narratives of reproduction control.This new lens also reveals men’s investment in these reproductive practices.

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