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It explores how the structure of typography influences the structures of our daily thought.However, typography makes this structural analysis challenging, because of an inherent tension between typography's visuality and function--when we read type we most often fail to see type.
French anthropologist and filmmaker Jean Rouch made over 100 films throughout his long career, the bulk of which were recorded in West Africa.
Founder of the cinéma-vérité movement and pioneer of techniques like 'shared anthropology' and 'ethno-fiction,' Rouch used the medium of film to stimulate new ways of thinking about anthropological knowledge, cross-cultural encounters, and the apparent fixity of social roles in the (post)colonial world order.
And in spite of Rouch's efforts to use film as a means to transform anthropology into a more collaborative and dialogic undertaking, many African filmmakers accused Rouch of having an imperialist vision of his African subjects.
Rouch was also criticized - and not only by Africans - for his aversion towards politics and for what some perceived as a tendency to avoid political controversy in his films.
This dissertation examines the evolution of Rouch's filmmaking practice, looking, in particular, at the role that French imperial culture and the colonial situation played in shaping his ideas about both anthropology and film.
Rouch's life and work took shape in dialogue with both France's imperial project and West Africa's struggle for independence from (neo)colonial power.Furthermore, in his drive to 'share' anthropology, Rouch sought to use his skills and resources to assist his African collaborators in their own ambitions to make films, either with him or independently.But as a French man working in West Africa both prior to and following French colonial rule, Rouch's practice evolved out of a historical moment fraught with complexities and ambiguities.Students must be registered in dissertation (or dissertation extension if they have already completed all regular dissertation sequence courses), during the term in which they achieve dissertation clearance.Dissertation clearance means not only successful defense, but completion of any required revisions and submission of the dissertation in its final form to the University library.d) The student repeats this process until the document is acceptable.This project presents an understanding of typography that better reflects its many details, an approach to media that stresses structure and infrastructure, and contributes to the study of visualization's role in knowledge production.This dissertation traces the development of “true bounce” in modern sport.Many former students have now spoken out about the physical, emotional and sexual abuse that took place at the schools.The IRS system is now recognized as one of the major factors in the attempted destruction of Aboriginal cultures, languages and communities in Canada.The analysis herein focuses on the structure, and to a lesser extent the infrastructure, of one of our most omnipresent yet overlooked media.Typographical shapes have been neglected by works in media studies that address "print media" and the threat of "digital media," and also by design fields that study the semiotic, socio-historical, or classificatory sides of typography.