This viewpoint is only highlighted through a Marxist critical approach.
This relates to the prominent class issue seen all through “Gatsby.” It seems as though Daisy and Tom almost look down upon others.
Afterwards, Tom and Daisy just pack up and leave, without even attending Gatsby’s funeral.
Nick seems to think they used their position in society to escape any mess they had gotten themselves into.
The passage in which Myrtle Wilson is killed exemplifies the recklessness of Daisy and Tom.
Daisy sees Myrtle running out into the road and at first swerves toward the other car and seems to change her mind and just collide with Myrtle and continue on.
His move East and his habitual attitude to follow the American Dream, highlight the desperate nature of the time.
The decline in the Jazz age is evident within Nick’s steadfastness, as it is highlighted that he has merely been turned into a mode of production. Nick’s job is to think he is free, whilst at the same time produce an account interpolating events.
These principles being ‘commodity fetishism’ and ‘reification’ are useful aids in interpreting and understanding the core themes that run throughout the text.
Marx did not see the class system to be the regular upper, middle and lower generalization that it is so often seen in the Western world today.