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It attempts to make him face up to the human condition as it really is, to free him from illusions that are bound to cause constant maladjustment and disappointment. For the dignity of man lies in his ability to face reality in all its senselessness; to accept it freely, without fear, without illusions — and to laugh at it. A few years later he would crystallize the themes in “A Delicate Balance,” his drama about a prosperous American family beset with existential panic after a years of repression, booze and bad faith.“A Delicate Balance” was the first of his three plays to win the Pulitzer Prize; “Seascape” was the second and then, after a long gap in which nearly everyone had written him off, “Three Tall Women” was honored, lending momentum to his flourishing late career.In fighting against the stultifying narrowness of the commercial theater, Albee was simultaneously fighting for his fellow playwrights and theater artists, many of whom owe him a great debt for the moral and financial support he provided through his friendship and foundation.
”) and a half-dozen richly provocative dramas that will continue to rise and fall with critical fashions.
In the right hands, the many baffling other works may yet yield up their reluctant magic.
The cast included an astringently sublime and ultimately heartbreaking Rosemary Harris and a marvelously cantankerous Myra Carter, two of Albee’s most agile interpreters whose secret was treating every moment as though it were as strange and familiar as the workaday world.
At an awards panel lunch, Marian Seldes, another brilliant Albee player, once explained in a discussion of an iconoclastic work that a playwright creates a universe and gives that universe a language all its own.
But Albee thought it might be more productive to consider the way animals in his plays offer human beings a unique reflection of their condition.