Comparative Literature Paper

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Among the Arabic novels I have examined, I found that the tradition of ...

This volume offers a definitive source for understanding social influences in L2 pronunciation, demonstrating the importance of empirical findings from a number of research perspectives, and outlining the directions that future work can take.

The singer encounters bizarre figures and wanders in exile through the “Lowlands” searching for the goddess—a figure inspired by Sara Dylan, but also a composite of the White Goddess, Persephone, Eurydice, and others. Chekhov elaborates on what he sees as matrimony's central antinomy, namely that the wedding of one individual to another produces loneliness, an absence of intimacy, and a kind of alienation so acute ...

Dylan’s mythic adaptations are also informed by the syncretic work of T. Few periods have witnessed so strong a cultural fixation on apocalyptic calamity as the present.

Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.

Taking seriously Edward Said’s claim that Orientalism is a “style of having power,” Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive ...

The album depicts the mythic quest of a hipster-hero descending into the Underworld in pursuit of the Muse. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. In his article "Marriage in the Short Stories of Chekhov" Mark Richard Purves explores Anton Chekhov's often occurring depiction of marriage.

The hero resembles Dylan but is augmented by the experiences of mythic figures like Orpheus and Odysseus. Purves posits that Chekhov's depiction of the experience of marriage raises important ontological questions about the core features of family life such as what it means to be a husband, what it means to be a wife, and the degree of relatedness between them.

I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of In this study, I have examined the representations of domestic workers in a number of Arabic mid-century and contemporary novels, using feminism and intersectionality as my overarching framework.

I employed several scholarships of feminism such as Marxist and postcolonial feminism to examine the discourse on working-class women.

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