An Essay On Man Audiobook

Pope argues that humanity should make a study of itself, and not debase the spiritual essence of the world with earthly science, since the two are diametrically opposed to one another: man should "presume not God to scan".As the Enlightenment movement was gathering strength in the early 18th century, various challenges to established religious faith were launched.

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In the above example, Pope's thesis is that man has learnt about nature and God's creation through science; consequently, science has given man power, but having become intoxicated by this power, man has begun to think that he is "imitating God".

In response, Pope declares the species of man to be a "fool", absent of knowledge and plagued by "ignorance" in spite of all the progress achieved through science.

Later however, Voltaire renounced his admiration for Pope's and Leibniz's optimism and even wrote a novel, Candide, as a satire on their philosophy of ethics.

Rousseau also critiqued the work, questioning "Pope's uncritical assumption that there must be an unbroken chain of being all the way from inanimate matter up to God." The essay, written in heroic couplets, comprises four epistles.

I like to track down poems read by their makers, for there is so much pleasure, and instruction, in hearing poets speaking their own verse.

Listening to Yeats reading “The Lake Isle of Innisfree,” or Gertrude Stein reading “A Completed Portrait of Pablo Picasso,” or Frederick Seidel reading “The Death of the Shah,” or what is most likely Whitman reading “America” (all available on You Tube) reveals to us the intimate features of a voice, and in that, something true about the nature of the speaker.

On its publication, An Essay on Man received great admiration throughout Europe.

Voltaire called it "the most beautiful, the most useful, the most sublime didactic poem ever written in any language".

Though I love being read to and believe that you gain insight into a piece of writing when you hear it read, I cannot bear listening to fiction read by anyone other than its author. “Purity,” for example, Jonathan Franzen’s latest novel, is read by a range of actors. But crazy because it’s stupid — the same stupid logic present in Hollywood movies, in which German characters speak to one another in English, .

But part of the novel is set in Germany, and when the German characters speak, their dialogue is rendered in German-accented English. That kind of stupidity seems to be the rule these days.